“Kato was a miracle of suspension and detail, fluid thought embodied in seemingly effortless movement,” Molzahn, Laura. Chicago Tribune, 20 May 2016.
“The meaning behind Kato’s exploration is both as precise as molecular physics and expansive as the far reaches of multiple galaxies,” Smith, Sid. SeeChicagoDance.com, 5 June 2014.
“a powerful, captivating force to behold in motion; the richness and nuance of her movement will change the way you look at dance,” “The Players 2014.” Newcity, 23 January 2014.
Ayako Kato is an award winning Chicago-based dancer, choreographer, improviser, teacher, and curator, originally from Yokohama, Japan. Since 1998, she has been an artistic director of Ayako Kato/Art Union Humanscape (AUH) and has presented and performed her works extensively in the United States, Japan, and Europe. Most recently, she received 2016 3Arts Award in Dance, a 2016 Meier Achievement Award, and was named Top 5 Chicago Choreographers of 2016 by Newcity Stage. Recent venues/festivals include 3Klang Tage, Zug, Switzerland; DOEK, Amsterdam, Holland; the International Festival of Arts and Ideas, New Haven, CT; Tabito Art Meeting Festival, Fukushima; DeBArtolo Performing Arts Center, University of Notre Dame; Museum of Contemporary Art Chicago; Pivot Arts Festival, Chicago; SpinOff Festival at the Chicago Cultural Center; Jay Pritzker Pavilion of Millennium Park; Links Hall and Constellation in Chicago.
In January 2016, the New England Foundation for the Arts, together with the Chicago Dancemakers Forum (CDF), selected Kato as one of 12 artists for the Regional Dance Development Initiative (RDDI) of its National Dance Project (NDP). She is also Spring 2016 Sponsored Artist at High Concept Laboratories at Mana Contemporary Chicago.
Her recent group work The Incidents was selected for the Best of Dance 2014 in Chicago Tribune. Other venues/festivals include: Dance Theater Workshop, NY; Joyce Soho, NY; WHITE WAVE John Ryan Theater, Brooklyn, NY; Musée d’art moderne et contemporain, Strasbourg, France; University of Notre Dame, IN; Loyola University, Chicago; Chicago Jazz Festival and beyond. She has been commissioned to collaborate with various productions of dance, music, film, and theater as a choreographer, dancer and/or dramaturge. In summer 2014, she received Chicago-Lucerne Art Residency Grant through Chicago Sister City program as well as LinkUp with Dance at Illinois Artist in Residence supported by Links Hall & University of Illinois at Urbana-Champaign.
The company has received funding from the Doris Duke Charitable Foundation, The Richard H. Driehaus Foundation, The Japan Foundation, The Puffin Foundation, Illinois Arts Council, the Department of Cultural Affairs and Special Events (DCASE), the Chicago Dancemakers Forum, Experimental Sound Studio and Links Hall.
Since 2010, Kato has been an artist in residence at the Hamlin Park Fieldhouse Theater under Chicago Moving Company’s Dance Shelter Program. She has been studying dance anatomy under Irene Dowd since 2007. In addition to classical ballet and modern dance, she also studied Tai Chi, Noh Theater, and Butoh with master Kazuo Ohno, one of the founders. She holds MFA in Dance from the University of Michigan and a certificate from the Institute for Curatorial Practice in Performance of Wesleyan University. Influenced by a Japanese view of nature and the philosophy of Tao, Ayako’s ongoing practice is to embody the intangible, the beauty of being as it is, as “The Way” of nature through movement.
Music Director: Jason Roebke, composer, double bass
Ayako Kato/Art Union Humanscape Past and Current Collaborators:
Musicians: Chicago & USA: Jim Becker (violin and multi instruments), Josh Berman (cornet), Jeb Bishop (trombone), Brian Labycz (electronics), Jason Adasiewicz (vibraphone), Jim Baker (piano), Michael Zerang (percussion), Tim Barnes (drums), Jorrit Dijkstra (saxophone), Hamid Drake (drums), James Falzone (clarinet), Darin Gray (double bass), Keefe Jackson (tenor saxophone), Kent Kessler (double bass), Fred Lonberg-Holm (cello), Peter Maunu (violin, guitar, mandolin); Mike Reed (percussion), Tomeka Reid (cello), Dave Rempis (saxophone), Frank Rosaly (drums), Ned Rothenberg (reeds), Stephen Rush (electronics, voice), Matt Schneider (guitar), Jason Stein (bass clarinet), Adam Vida (drums); Albert Wildeman (bass); Katherine Young (bassoon); Europe: Urs Leimgruber (saxophone), Han Bennink (drums), Eric Boeren (cornet), Mary Oliver (violin), Michael Moore (reeds), Tristan Honsinger (cello), Wilbert de Joode (double bass); Hildegard Kleeb (piano); Roland Dahinden (trombone/Alphorn); Leonzio Cherubini (percussion); Axel Döner (trampet); Marta Warelis (piano); Oscar Jan Hoogland (piano); Kaja Draksler (piano); Karen Ng (saxophone); Japan: Michiyo Yagi (koto); Haco (voice, electronics); Toshimaru Nakamura (no-input mixing board); Taku Sugimoto (guitar); Seijiro Murayama (percussion); Ayako Yoshioka (piano); Nishino Megumu (taiko)
Creative Practitioner/Performance Artist: Bryan Saner
Dance Artists: Corinne Imberski, Chicago; Jessica Cornish, San Diego, Precious Jennings, Chicago; Michael Schumacher, Amsterdam; Lily Kiara, Amsterdam; Fine Kwiatkowski, Germany; Saiko Kino, Japan; Heidi S. Durning, Japan
Film: Ralph Kuehne
Lighting Design: Chris Wooten, Richard Norwood
Costume Design: Amanda Franck